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Esa ruda flor de cactus

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dc.contributor.author	Sánchez-Biosca, Vicente
dc.date.accessioned	2013-07-15T10:58:14Z
dc.date.available	2013-07-15T10:58:14Z
dc.date.issued	1994
dc.identifier.citation	Sánchez-Biosca, Vicente 1994 Esa ruda flor de cactus Cuadernos cinematográficos 9 19 27
dc.identifier.uri	http://hdl.handle.net/10550/29179
dc.description.abstract	This article deals with two perplexing questions that arise from the viewing of The Man Who Shot Liberty Valance (John Ford, 1962): the use of flashback and the presence of nostalgia, an emotion foreign to epic poetry. 7he first points to the existence of a mythical past estranged from the present,from which civilization arises and which is symbolized by the train which makes its appearance at the beginning and the end of the film. Nostalgia introduces a painful note in the present-day characters which may be defined both as old-age in a physical sense and the fact that they belong to another, legendary world. We show how these two elements converge in the splendid metaphor of the cactus flower.
dc.relation.ispartof	Cuadernos cinematográficos, 1994, vol. 9, p. 19-27
dc.subject	Cinematografia
dc.title	Esa ruda flor de cactus
dc.type	journal article	es_ES
dc.date.updated	2013-07-15T10:58:14Z
dc.identifier.idgrec	060963
dc.rights.accessRights	open access	es_ES