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dc.contributor.author | Centeno Martín, Marcos Pablo | |
dc.date.accessioned | 2015-04-17T10:55:36Z | |
dc.date.available | 2015-04-17T10:55:36Z | |
dc.date.issued | 2010 | |
dc.identifier.citation | Centeno Martín, Marcos Pablo 2010 Views of Modern and Postmodern Tokyo: dehumanization, urban, social and body changes Cinema & Cie International Film Studies Journal X 13 156 161 | |
dc.identifier.uri | http://hdl.handle.net/10550/43218 | |
dc.description.abstract | The urban space of Tokyo is a recurrent landscape used by many filmmakers throughout history to show various changes in Japanese society. The purpose of this diachronic film analysis is to extrapolate a sociological view of Tokyo in the frame of Modernity and the new concept of Postmodernity, the redefinition of the historical period beginning in the late 1970s. | |
dc.language.iso | eng | |
dc.relation.ispartof | Cinema & Cie International Film Studies Journal, 2010, vol. X, num. 13, p. 156-161 | |
dc.subject | Cinematografia | |
dc.title | Views of Modern and Postmodern Tokyo: dehumanization, urban, social and body changes | |
dc.type | journal article | es_ES |
dc.date.updated | 2015-04-17T10:55:37Z | |
dc.identifier.idgrec | 070015 | |
dc.rights.accessRights | open access | es_ES |