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Juegos de palabras y música en El Cortesano de Luis Milán

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dc.contributor.author	Colella, Alfonso	es
dc.date.accessioned	2015-06-19T11:06:09Z
dc.date.available	2015-06-19T11:06:09Z
dc.date.issued	2015	es
dc.identifier.citation	Colella, Alfonso. Juegos de palabras y música en El Cortesano de Luis Milán. En: SCRIPTA. Revista de Literatura i Cultura Medieval i Moderna, 2015, No. 5: 229	es
dc.identifier.uri	http://hdl.handle.net/10550/44620
dc.description.abstract	Abstract: This article takes into consideration El Cortesano (1561) by Luis Milán: in this text the musical performance is strongly influenced by the playful attitudes of the individuals who attended the court meetings of Fernando de Aragón and Germana de Foix. Therefore, the musician has to keep in mind every expectation of courtly entertainment and gaming, and morevoer he must open his interpretative options to meet also the demands of the public. What emerges is a picture of the musician and his music that is different from what one would expect in another social context. In such aristocratic society as the Duke of Calabria, music was not understood only in terms of its aesthetic values and technical aspects, but it also required that the player accepted the rituals of the courtly game.	en_US
dc.subject	Filologías. Generalidades	es
dc.subject	Filologías	es
dc.title	Juegos de palabras y música en El Cortesano de Luis Milán	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS	es
dc.type.hasVersion	VoR	es_ES