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El jo literari i les noves rimades de Pere March

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dc.contributor.author	Cabré, Lluís	es
dc.date.accessioned	2015-12-04T13:12:59Z
dc.date.available	2015-12-04T13:12:59Z
dc.date.issued	1992	es
dc.identifier.citation	Cabré, Lluís. El jo literari i les noves rimades de Pere March. En: Caplletra : Revista Internacional de Filologia, 1992, No. 13: 71	es
dc.identifier.uri	http://hdl.handle.net/10550/48992
dc.description.abstract	This article first surveys the use of the first person in medieval writing, showing its literary worth, and establishing the validity of this approach to Catalan literature. Secondly, it is suggested that Catalan fourteenth century noves rimades are a genre in which a substantial amount of creativity and empirical circumstance were virtually unavoidable, at least when written in a courtly environment. Both these general points of view provide the framework for a close analysis of Pere March's noves. Special attention is given to his merging of a wide range of literary traditions that interact with his different personae, either to build up courtly divertimenti (Lo compte final, Lo mal d'amor) or to epitomise chivalric culture (L'arnés del cavaller).	en_US
dc.subject	Lingüística	es
dc.subject	Filologías	es
dc.title	El jo literari i les noves rimades de Pere March	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS	es
dc.type.hasVersion	VoR	es_ES