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Music, gender and rituals in the ancient Mediterranean. Revisiting the Punic evidence

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Music, gender and rituals in the ancient Mediterranean. Revisiting the Punic evidence

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dc.contributor.author López-Bertrán, Mireia
dc.contributor.author Garcia-Ventura, Agnès
dc.date.accessioned 2017-06-02T07:26:01Z
dc.date.available 2017-06-02T07:26:01Z
dc.date.issued 2012
dc.identifier.citation López-Bertrán, Mireia Garcia-Ventura, Agnès 2012 Music, gender and rituals in the ancient Mediterranean. Revisiting the Punic evidence WORLD ARCHAEOLOGY 44 3 393 408
dc.identifier.uri http://hdl.handle.net/10550/58819
dc.description.abstract Music, playing instruments and performing rituals are bodily activities and as such they can be studied stressing their corporeal features. Music and sounds are usually essential elements in rites, and bodies play an essential role in bringing together music and rituals. We explore these issues focusing on Punic terracotta figurines playing musical instruments recovered from the island of Ibiza (fifth to third centuries BC).
dc.language.iso eng
dc.relation.ispartof WORLD ARCHAEOLOGY, 2012, vol. 44, num. 3, p. 393-408
dc.subject Arqueologia
dc.title Music, gender and rituals in the ancient Mediterranean. Revisiting the Punic evidence
dc.type journal article es_ES
dc.date.updated 2017-06-02T07:26:01Z
dc.identifier.doi 10.1080/00438243.2012.726043
dc.identifier.idgrec 119013
dc.rights.accessRights open access es_ES

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