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Entre el capital cultural y el capital monetario: la economía en la música clásica contemporánea

Repositori DSpace/Manakin

dc.contributor.author	Mas Sempere, Xavier
dc.date.accessioned	2017-06-07T08:19:52Z
dc.date.available	2017-06-07T08:19:52Z
dc.date.issued	2017
dc.identifier.citation	Mas Sempere, Xavier 2017 Entre el capital cultural y el capital monetario: la economía en la música clásica contemporánea 3C Empresa 6 2 59 76
dc.identifier.uri	http://hdl.handle.net/10550/59024
dc.description.abstract	Despite its abstract and ethereal character, music is one of the most important elements of our society. Constituted as a social fact - and with a remarkable repercussion - it articulates its development in relation to the other elements and actors of society. In our work we show, from interviews and a discussion group, what are the discourses on music and economy by the participants in the field of contemporary classical music: composers, directors, interpreters, cultural and public managers. In this way, we can see, in each case, what value is given and how each group is positioned versus the different types of capital.
dc.language.iso	spa
dc.relation.ispartof	3C Empresa, 2017, vol. 6, num. 2, p. 59-76
dc.subject	Economia
dc.title	Entre el capital cultural y el capital monetario: la economía en la música clásica contemporánea
dc.type	journal article	es_ES
dc.date.updated	2017-06-07T08:19:52Z
dc.identifier.doi	10.17993/3cemp.2017.060230.59-76
dc.identifier.idgrec	118651
dc.rights.accessRights	open access	es_ES