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Signals of intensification and attenuation in orchestra and choir conduction

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Signals of intensification and attenuation in orchestra and choir conduction

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dc.contributor.author Poggi, Isabella es
dc.date.accessioned 2018-02-05T11:03:57Z
dc.date.available 2018-02-05T11:03:57Z
dc.date.issued 2017 es
dc.identifier.citation Poggi, Isabella. Signals of intensification and attenuation in orchestra and choir conduction. En: Normas: revista de estudios lingüísticos hispánicos, 7 1 2017: 33-47 es
dc.identifier.uri http://hdl.handle.net/10550/64537
dc.description.abstract Based on a model of communication according to which not only words but also body signals constitute lexicons (Poggi, 2007), the study presented aimes at building a lexicon of conductors? multimodal behaviours requesting intensification and attenuation of sound intensity. In a corpus of concerts and rehearsals, the conductors? body signals requesting to play or sing forte, piano, crescendo, diminuendo were analysed through an annotation scheme describing the body signals, their meanings, and their semiotic devices: generic codified (the same as in everyday language); specific codified (shared with laypeople but with specific meanings in conduction); direct iconic, (resemblance between visual and acoustic modality); indirect iconic, (evoking the technical movement by connected movements or emotion expressions). The work outlines a lexicon of the conductors? signals that in gesture, head, face, gaze, posture, body convey attenuation and intensification in music. es
dc.title Signals of intensification and attenuation in orchestra and choir conduction es
dc.type journal article es_ES
dc.subject.unesco UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS es
dc.identifier.doi 10.7203/normas.7.10423 es
dc.type.hasVersion VoR es_ES

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