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Antonio de Tejeda y Antón Sánchez, pintores: una decoración en dos tiempos para la Capilla de las Doncellas de la catedral de Sevilla

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dc.contributor.author	Escuredo Barrado, Elena	es
dc.date.accessioned	2018-05-23T08:23:46Z
dc.date.available	2018-05-23T08:23:46Z
dc.date.issued	2017	es
dc.identifier.citation	Escuredo Barrado, Elena. Antonio de Tejeda y Antón Sánchez, pintores: una decoración en dos tiempos para la Capilla de las Doncellas de la catedral de Sevilla. En: Ars longa: cuadernos de arte, 26 2017: 75-88	es
dc.identifier.uri	http://hdl.handle.net/10550/66262
dc.description.abstract	The chapel of the Annunciation, in the Cathedral of Seville, was the headquarters of the Brotherhood of the Maidens, founded by Micer García de Gibraleón in the first third of the sixteenth century. Throughout the century, several undertakings were carried out to tidy up and decorate the space, from the commission of the altarpiece to the fences, which closed it. The researches in the Protocols Archive of Seville have revealed new documents that allow us to imagine how this chapel looked like originally: on the one hand, the mural decoration of the wall in front of the altarpiece, Antonio de Tejeda?s work; and on the other hand, the polychrome of the lateral fence and the painting of the wall that accommodated it, a commission accepted by Antón Sánchez.	es
dc.title	Antonio de Tejeda y Antón Sánchez, pintores: una decoración en dos tiempos para la Capilla de las Doncellas de la catedral de Sevilla	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::HISTORIA	es
dc.identifier.doi		es
dc.type.hasVersion	VoR	es_ES