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Violencia y control de la imagen. La identidad femenina en la obra de Ana Mendieta

Repositori DSpace/Manakin

dc.contributor.author	D. Rivero Moreno, Luis	es
dc.date.accessioned	2018-05-23T08:23:50Z
dc.date.available	2018-05-23T08:23:50Z
dc.date.issued	2017	es
dc.identifier.citation	D. Rivero Moreno, Luis. Violencia y control de la imagen. La identidad femenina en la obra de Ana Mendieta. En: Ars longa: cuadernos de arte, 26 2017: 303-316	es
dc.identifier.uri	http://hdl.handle.net/10550/66276
dc.description.abstract	In the society of information, images of violence are multiplied until they make the reflection about them complicated. This research proposes to recover the work of the artist Ana Mendieta. Her art, as opposed to the ways used by the mechanism of power, appears as a tool to face gender-based violence from an artistic and personal point of view. Thus, using the main currents of gender studies theory in contrast to the work of the Cuban artist, the possibility of the exhibition of body and violence it is described through body art and performance. Thereby, women achieve a search mechanism for identity, creating their own image and showing social problems usually silenced by the patriarchal power, engaged in ascribing them to a non visible private realm.	es
dc.title	Violencia y control de la imagen. La identidad femenina en la obra de Ana Mendieta	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::HISTORIA	es
dc.identifier.doi		es
dc.type.hasVersion	VoR	es_ES