NAGIOS: RODERIC FUNCIONANDO

Réflexions sur l’opéra de modèle révolutionnaire en Chine

Repositori DSpace/Manakin

dc.contributor.author	Tian, Tian	es
dc.date.accessioned	2018-07-20T10:52:03Z
dc.date.available	2018-07-20T10:52:03Z
dc.date.issued	2018	es
dc.identifier.citation	Tian, Tian. Réflexions sur l’opéra de modèle révolutionnaire en Chine. En: Itamar, revista de investigación musical, 2011 - 2018, Número 4: 492-501	es
dc.identifier.uri	http://hdl.handle.net/10550/67182
dc.description.abstract	The revolutionary model opera was a unique creation in China and represented the only significant musical activity of the Cultural Revolution. This study on the revolutionary model opera shows us how music has been hijacked and manipulated by political power during the Cultural Revolution. The revolutionary model operas had to serve ideology, gather the masses, monitor them, impose the ideas of the Revolution and build a new social memory. The time of the ceremony drama was imposed on them, and all this under the control of political power. This article, however, shows that musicians, certainly requisitioned, have worked in the creation of this new music based on traditional music. Even Chinese musicology has continued, in a different form, musicians have indeed collected, analyzed and worked on the composition of new musical creations. They had permission from power since the power needed them.	en_US
dc.subject	Música	es
dc.subject	Arte	es
dc.title	Réflexions sur l’opéra de modèle révolutionnaire en Chine	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::PEDAGOGÍA	es
dc.type.hasVersion	VoR	es_ES