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El «travestimiento burlesco» de Hércules en Ov. Her. IX. (55-118)

Repositori DSpace/Manakin

dc.contributor.author	Blázquez Noya, Alba	es
dc.date.accessioned	2018-08-01T07:16:12Z
dc.date.available	2018-08-01T07:16:12Z
dc.date.issued	2017	es
dc.identifier.citation	Blázquez Noya, Alba. El «travestimiento burlesco» de Hércules en Ov. Her. IX. (55-118). En: Studia philologica valentina, 1 2017: 87-94	es
dc.identifier.uri	http://hdl.handle.net/10550/67346
dc.description.abstract	Hercules, traditionally considered the great hero of the Greeks, the symbol of salvation and the incarnation of masculinity, receives a strong «de-heroizing» treatment in Ovid?s Letter from Deianira to Hercules, a work in which a whole passage paints him completely as a cross-dresser. We refer to the passage that narrated Hercules?s time as a slave (and lover) of Omphale in Lydia. In this article we see how Deianira utilizes the standards of the model of ideal masculinity to ridicule her husband by reminding him of the times he did not live up to that model, and applies to Hercules practically all of the elegiac code of the lover as a servant at the orders of his domina	es
dc.title	El «travestimiento burlesco» de Hércules en Ov. Her. IX. (55-118)	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS	es
dc.identifier.doi		es
dc.type.hasVersion	VoR	es_ES