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Pia Desideria : Entre el aguardiente y la vida ascética. Las calaveras borrachas claman por el chinguirito (México, 1836)

Repositori DSpace/Manakin

dc.contributor.author	Montiel López, Andrea	es
dc.date.accessioned	2020-11-09T12:49:36Z
dc.date.available	2020-11-09T12:49:36Z
dc.date.issued	2019	es
dc.identifier.citation	Montiel López, Andrea. Pia Desideria : Entre el aguardiente y la vida ascética. Las calaveras borrachas claman por el chinguirito (México, 1836). En: Imago: revista de emblemática y cultura visual, 11 2019: 135-152	es
dc.identifier.uri	https://hdl.handle.net/10550/76295
dc.description.abstract	The allegory of the body as a prison of the soul was visually depicted as a skeleton that imprisons a figure with childish features. One of the earliest examples of this image is the emblem «Infelix ego homo!» included in Herman Hugo?s Pia Desideria (1624); however the pictura was incorporated in other media and contexts allowing its survival even to the end of the 19th century. In Mexico, it evolved from an ascetic-moralistic book to a popular pamphlet of ghostly apparitions revealed in dreams. How did this emblem ?based on Neoplatonic philosophy? evolve from a book written in Latin to a popular nineteenth century pamphlet? Did it conserve part of its original meaning? KEYWORDS Death; Soul; Hard Liquor; Mexico.	es
dc.title	Pia Desideria : Entre el aguardiente y la vida ascética. Las calaveras borrachas claman por el chinguirito (México, 1836)	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::HISTORIA	es
dc.identifier.doi	10.7203/imago.11.15053	es
dc.type.hasVersion	VoR	es_ES