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Katabasis in Rupert Goold's Macbeth (BBC, 2010): Threshold-Crossing, Education, Shipwreck, Visionary and Trial Katabatic Experiences

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dc.contributor.author	Huertas Martín, Víctor
dc.date.accessioned	2021-05-04T09:43:24Z
dc.date.available	2021-05-04T09:43:24Z
dc.date.issued	2018
dc.identifier.citation	Huertas Martín, Víctor 2018 Katabasis in Rupert Goold's Macbeth (BBC, 2010): Threshold-Crossing, Education, Shipwreck, Visionary and Trial Katabatic Experiences Literature-Film Quarterly 46 3 1 17
dc.identifier.uri	https://hdl.handle.net/10550/79047
dc.description.abstract	Rupert Goold's stage production of Macbeth opened at the Minerva Theatre in Chichester, went to the Gielgud Theatre (London) and toured to the Harvey Theater in New York (2007-2008) before, in 2010, BBC, PBS and Illuminations Media turned it into a TV film.1 Set in a twentieth-century regime displaying the iconography of Stalin's dictatorship, Anthony Ward's decor was "confined within a windowless basement kitchen, perhaps a few tiers above hell" (Nicholas De Jongh). Unsurprisingly, several reviewers compare these aspects of the scenography with a living hell. However, the recording turned those hellish textures into a dominant motif.
dc.language.iso	eng
dc.relation.ispartof	Literature-Film Quarterly, 2018, vol. 46, num. 3, p. 1-17
dc.subject	Cinematografia i literatura
dc.title	Katabasis in Rupert Goold's Macbeth (BBC, 2010): Threshold-Crossing, Education, Shipwreck, Visionary and Trial Katabatic Experiences
dc.type	journal article	es_ES
dc.date.updated	2021-05-04T09:43:25Z
dc.identifier.idgrec	146652
dc.rights.accessRights	open access	es_ES