Mostra el registre parcial de l'element
dc.contributor.author | Zralka, Jaroslaw | |
dc.contributor.author | Radnicka, Katarzyna | |
dc.contributor.author | Banach, Monika | |
dc.contributor.author | Asicona Ramírez, Lucas | |
dc.contributor.author | Vázquez de Ágredos-Pascual, María Luisa | |
dc.contributor.author | Vidal Lorenzo, Cristina | |
dc.contributor.author | Frühsorge, Lars | |
dc.contributor.author | Velásquez, Juan Luis | |
dc.date.accessioned | 2021-05-04T10:48:11Z | |
dc.date.available | 2021-05-04T10:48:11Z | |
dc.date.issued | 2020 | |
dc.identifier.citation | Zralka, Jaroslaw Radnicka, Katarzyna Banach, Monika Asicona Ramírez, Lucas Vázquez de Ágredos Pascual, María Luisa Vidal Lorenzo, Cristina Frühsorge, Lars Velásquez, Juan Luis 2020 The Maya wall paintings from Chajul, Guatemala Antiquity 94 375 760 779 | |
dc.identifier.uri | https://hdl.handle.net/10550/79072 | |
dc.description.abstract | The recent renovation of a house in Chajul in western Guatemala has revealed an unparalleled set of wall paintings, most probably from the Colonial period (AD 1524-1821). The iconography of the murals combines pre-Columbian elements with imported European components in a domestic rather than a religious setting, making them a unique example of Colonial-period art. Here, the authors present the results of iconographic, chemical and radiocarbon analyses of the Chajul house paintings. Dating to the seventeenth to eighteenth centuries AD, the paintings may be connected to a revival of the local religious organisations (cofradías) in the context of waning Spanish colonial control. | |
dc.language.iso | eng | |
dc.relation.ispartof | Antiquity, 2020, vol. 94, num. 375, p. 760-779 | |
dc.subject | Pintura rupestre | |
dc.title | The Maya wall paintings from Chajul, Guatemala | |
dc.type | journal article | es_ES |
dc.date.updated | 2021-05-04T10:48:13Z | |
dc.identifier.doi | 10.15184/aqy.2020.87 | |
dc.identifier.idgrec | 145946 | |
dc.rights.accessRights | open access | es_ES |