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La vocalidad del violín en el norte de Italia en torno a 1600
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- Itamar, revista de investigación musical
- Itamar, revista de investigación musical. 2021. Número 7
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La vocalidad del violín en el norte de Italia en torno a 1600
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| dc.contributor.author | Masmano Llobregat, Raquel | es |
| dc.date.accessioned | 2021-12-23T12:21:27Z | |
| dc.date.available | 2021-12-23T12:21:27Z | |
| dc.date.issued | 2021 | es |
| dc.identifier.citation | Masmano Llobregat, Raquel. La vocalidad del violín en el norte de Italia en torno a 1600. En: Itamar, revista de investigación musical: territorios para el arte, 7 2021: 363-388 | es |
| dc.identifier.uri | https://hdl.handle.net/10550/81175 | |
| dc.description.abstract | Throughout the present research I intend to demonstrate the powerful link between the vocal practice in accompanied monody and the way Early Italian violin music ought to be interpreted. Due to the scarce amount of articulation and ornamentation in this music, I consider that historical criteria should be found in order to back up the subjective choices in its performance. According to this, I focus on reviewing sources that describe the vocal practice around 1600, but also contemporary sources in which we can find instructions addressed to bow instruments. Besides, a catalogue of articulations and ornamentations present in early editions of printed violin music is attached. Last, I comment on a selection of violin music of the early Seventeenth Century, on which, based on the information previously gathered, I analyze those elements and drifts that are specifically vocal. | es |
| dc.subject | 2386-8260 13268 Itamar | es |
| dc.subject | revista de investigación musical: territorios para el arte 590908 2021 7 8182070 La vocalidad del violín en el norte de Italia en torno a 1600 Masmano Llobregat | es |
| dc.subject | Raquel Throughout the present research I intend to demonstrate the powerful link between the vocal practice in accompanied monody and the way Early Italian violin music ought to be interpreted. Due to the scarce amount of articulation and ornamentation in this music | es |
| dc.subject | I consider that historical criteria should be found in order to back up the subjective choices in its performance. According to this | es |
| dc.subject | I focus on reviewing sources that describe the vocal practice around 1600 | es |
| dc.subject | but also contemporary sources in which we can find instructions addressed to bow instruments. Besides | es |
| dc.subject | a catalogue of articulations and ornamentations present in early editions of printed violin music is attached. Last | es |
| dc.subject | I comment on a selection of violin music of the early Seventeenth Century | es |
| dc.subject | on which | es |
| dc.subject | based on the information previously gathered | es |
| dc.subject | I analyze those elements and drifts that are specifically vocal. 363 388 | es |
| dc.title | La vocalidad del violín en el norte de Italia en torno a 1600 | es |
| dc.type | journal article | es_ES |
| dc.subject.unesco | UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS | es |
| dc.identifier.doi | es | |
| dc.type.hasVersion | VoR | es_ES |
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