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OVERTURE Love Love is a Pink Cake or Queering Chopin in Times of Homophobia

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OVERTURE Love Love is a Pink Cake or Queering Chopin in Times of Homophobia

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dc.contributor.author Pizà, Antoni es
dc.date.accessioned 2021-12-23T12:21:28Z
dc.date.available 2021-12-23T12:21:28Z
dc.date.issued 2021 es
dc.identifier.citation Pizà, Antoni. OVERTURE Love Love is a Pink Cake or Queering Chopin in Times of Homophobia. En: Itamar, revista de investigación musical: territorios para el arte, 7 2021: 421-427 es
dc.identifier.uri https://hdl.handle.net/10550/81180
dc.description.abstract An introduction to the three essays included in this section. The article highlights the right to know whether Chopin was gay and contextualizes this inquiry in a very long and pervasive historiographical tradition, essentially twohundred years long, dedicated to examine Chopin sexual orientation, on the one hand, and on the other the more recent tradition of queering western classical music composers. The main point is not to demonstrate categorically that Chopin was ?gay? (a relative, modern identity marker in any case) but rather to highlight the discourses that have presented him as unequivocally heterosexual. es
dc.subject 2386-8260 13268 Itamar es
dc.subject revista de investigación musical: territorios para el arte 590908 2021 7 8182075 OVERTURE Love Love is a Pink Cake or Queering Chopin in Times of Homophobia Pizà es
dc.subject Antoni An introduction to the three essays included in this section. The article highlights the right to know whether Chopin was gay and contextualizes this inquiry in a very long and pervasive historiographical tradition es
dc.subject essentially twohundred years long es
dc.subject dedicated to examine Chopin sexual orientation es
dc.subject on the one hand es
dc.subject and on the other the more recent tradition of queering western classical music composers. The main point is not to demonstrate categorically that Chopin was ?gay? (a relative es
dc.subject modern identity marker in any case) but rather to highlight the discourses that have presented him as unequivocally heterosexual. 421 427 es
dc.title OVERTURE Love Love is a Pink Cake or Queering Chopin in Times of Homophobia es
dc.type journal article es_ES
dc.subject.unesco UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS es
dc.identifier.doi es
dc.type.hasVersion VoR es_ES

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