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Killing God, Executing Christ: Modern Weapons for Old Dreams

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Killing God, Executing Christ: Modern Weapons for Old Dreams

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dc.contributor.author Sánchez-Biosca, Vicente
dc.date.accessioned 2013-06-19T07:36:47Z
dc.date.available 2013-06-19T07:36:47Z
dc.date.issued 2013
dc.identifier.citation Vicente Sánchez Biosca, "Killing God, Executing Christ: Modern Weapons for Old Dreams", Working paper presented in a talk given on February the 26th 2013 at the King Juan Carlos I Center, New York University. es_ES
dc.identifier.uri http://hdl.handle.net/10550/28757
dc.description.abstract What I have tried to outline here is an example of the still under-researched field of the genealogy of images. Strictly speaking, it aspires to be a contribution to our understanding of the role of images in shaping layers of collective memory or of the socialization of historical images. This research cannot be done by a single person or by relying on professional competence in a single field. It requires the collaboration of archaeologists and film restorers (to evaluate the different generations of copies), semiologists (to analyze composition, staging, assembly and editing), historians of mass communication (to study comparatively the migration of a particular set of images across different media), contemporary historians (to evaluate thoroughly the specific circumstances of each recycling of the images concerned)… In other words, what is needed is collaborative research that brings together different disciplinary formations – in film, photography, the illustrated press, television, internet… and, by extension, museums, fine arts, commemorative architecture, textbooks... In short, an interdisciplinary exploration of the tortuous life of iconography. Today, as history professionals feel the need to use images, and when the media govern the socialization of history, it becomes imperative to impose rigor in the use of archives, subjecting source materials to meticulous critique. And the difficulty is enormous because of the precarious nature of the materials, their ceaseless migration in the media universe, and the almost total promiscuity with which the digital image is disseminated via the Internet. Making the old dreams true require, we feel it, new weapons. es_ES
dc.language.iso en_US es_ES
dc.subject anticlericalism es_ES
dc.subject spanish civil war es_ES
dc.subject guerra civil española es_ES
dc.title Killing God, Executing Christ: Modern Weapons for Old Dreams es_ES
dc.type working paper es_ES
dc.subject.unesco UNESCO::HISTORIA es_ES

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