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Deep Emotions, Poor Narratives: on the Iconography of the Retreat (La Retirada)

Repositori DSpace/Manakin

dc.contributor.author	Sánchez-Biosca, Vicente
dc.date.accessioned	2013-07-11T07:27:34Z
dc.date.available	2013-07-11T07:27:34Z
dc.date.issued	2011
dc.identifier.citation	Sánchez Biosca, Vicente 2011 Deep Emotions, Poor Narratives: on the Iconography of the Retreat, Marta Marín-Dòmine ed., Catalan Culture and the French Camps. Literary and Visual Representations Catalan Review XXV 167 180
dc.identifier.uri	http://hdl.handle.net/10550/29121
dc.description.abstract	The Spanish Civil War and the subsequent border crossing of the Republican population towards France in February 1939 generated a profusion of images of which only a few have become recognizable icons that represent the injustice performed by Franco's victorious army. However, most of these images have circulated without any historical context, thus becoming abstraction rather than historical realities. This article discusses the way the corpus of visual -mostly through film- representations of exile have been used and abused, how they have been 'migrating' from one media to another, and hence how they have changed their semantic value and have been use to support different ideological messages.
dc.relation.ispartof	Catalan Review, 2011, vol. XXV, p. 167-180
dc.subject	Cinematografia i història
dc.title	Deep Emotions, Poor Narratives: on the Iconography of the Retreat (La Retirada)
dc.type	journal article	es_ES
dc.date.updated	2013-07-11T07:27:34Z
dc.identifier.idgrec	083262
dc.rights.accessRights	open access	es_ES