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De Caligari a Goebbels : Mabuse y el retorno del film demoníaco

Repositori DSpace/Manakin

dc.contributor.author	Sánchez-Biosca, Vicente
dc.date.accessioned	2013-09-16T09:02:39Z
dc.date.available	2013-09-16T09:02:39Z
dc.date.issued	1993
dc.identifier.citation	Sánchez Biosca, Vicente 1993 De Caligari a Goebbels. Mabuse y el retorno del film demoníaco Cuadernos cinematográficos 8 127 136
dc.identifier.uri	http://hdl.handle.net/10550/30085
dc.description.abstract	Romantic fantasy was one of the most important narrative and visual contributions of German cinema at the beginning of the 1920s. However, as the the decade progressed, this style was abandoned in favor of a growing realism and constructivist sets. The Testament of Doctor Mabuse marks a return to the realm of delirium which had characteried the beginnings of Expressionist cinematography as well as being the last work done in this style, as Nazismn was then on the rise. Most importantly, the film experiments with satanic characters and the transformation of the human voice.
dc.relation.ispartof	Cuadernos cinematográficos, 1993, vol. 8, p. 127-136
dc.subject	Cinematografia i història
dc.title	De Caligari a Goebbels : Mabuse y el retorno del film demoníaco
dc.type	journal article	es_ES
dc.date.updated	2013-09-16T09:02:39Z
dc.identifier.idgrec	060956
dc.rights.accessRights	open access	es_ES