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Montage and Spectator: Eisenstein and the Avant-Garde

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dc.contributor.author	Sánchez-Biosca, Vicente
dc.date.accessioned	2013-09-17T11:42:55Z
dc.date.available	2013-09-17T11:42:55Z
dc.date.issued	1990
dc.identifier.citation	Sánchez-Biosca, Vicente 1990 Montage and Spectator: Eisenstein and the Avant-Garde Semiotica 38 3/4 277 289
dc.identifier.uri	http://hdl.handle.net/10550/30110
dc.description.abstract	This article aims to understand the theory of montage in the aesthetics os S.M. Eisenstein. For so doing, it bring toghether a series os expressions of the avant-garde tending to excentrism, as well in literary theory as in theatre or cinema. From Sklovsky's ostratenie to FEKS' excentrism, the models of circus seems to inform the first Eisenstein's poetics of attraction. Nevertheless, Eisenstein plays on the recentralization to attain a final effect, that differentiates him from other avant-garde methods.
dc.relation.ispartof	Semiotica, 1990, vol. 38, num. 3/4, p. 277-289
dc.subject	Cinematografia Arguments, trames, etc.
dc.title	Montage and Spectator: Eisenstein and the Avant-Garde
dc.type	journal article	es_ES
dc.date.updated	2013-09-17T11:42:55Z
dc.identifier.idgrec	060953
dc.rights.accessRights	open access	es_ES