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The corpse and the body in classical Hollowood cinema. The Body Snatcher (Val Lewton / Robert Wise, 1945)

Repositori DSpace/Manakin

dc.contributor.author	Sánchez-Biosca, Vicente
dc.date.accessioned	2013-10-30T07:51:13Z
dc.date.available	2013-10-30T07:51:13Z
dc.date.issued	1993
dc.identifier.citation	Sánchez-Biosca, Vicente 1993 The corpse and the body in classical Hollowood cinema. The Body Snatcher (Val Lewton / Robert Wise, 1945) Archivos de la Filmoteca. Valencia. Filmoteca de la Generalitat Valenciana 14 264 277
dc.identifier.uri	http://hdl.handle.net/10550/30447
dc.description.abstract	The classical Hollywood cinema had a strange relationship with the representation of the body in pain. Violence, death and, especially, the corops is basically avoided. Nevertheless, it is by no means absent. A rhetoric of elipsis and limits is easy to analyze in the hrror film. This text deals with the representatin of corpses in one of the most obscure and dark films of the 1940s, namely, The body snatcher (produced by Val Lewton and directed by Robert Wise, 1945)
dc.relation.ispartof	Archivos de la Filmoteca. Valencia. Filmoteca de la Generalitat Valenciana, 1993, num. 14, p. 264-277
dc.subject	Cinema de terror
dc.title	The corpse and the body in classical Hollowood cinema. The Body Snatcher (Val Lewton / Robert Wise, 1945)
dc.type	journal article	es_ES
dc.date.updated	2013-10-30T07:51:13Z
dc.identifier.idgrec	091182
dc.rights.accessRights	open access	es_ES