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Del mudable semblante de las víctimas. Imágenes de la aflicción en Camboya (1975-2013)

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Del mudable semblante de las víctimas. Imágenes de la aflicción en Camboya (1975-2013)

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dc.contributor.author Sánchez-Biosca, Vicente
dc.date.accessioned 2014-09-03T07:46:16Z
dc.date.available 2014-09-03T07:46:16Z
dc.date.issued 2014
dc.identifier.citation Sánchez-Biosca, Vicente 2014 Del mudable semblante de las víctimas. Imágenes de la aflicción en Camboya (1975-2013) Pasajes 44 primavera 120 135
dc.identifier.uri http://hdl.handle.net/10550/37481
dc.description.abstract This paper examines the mug shots of the detainees produced by the Khmer Rouge machinery at the center of torture and extermination called S-21. These images played a key role for the regime's perpetrators in the process of identifying, repressing and killing the numerous enemies that the paranoia of conspiracy had conceived between 1975 and the beginning of 1979. Yet, these images are used since the vietnamese liberation of Cambodia as 'images of victims' and as such exhibited in the Tuol Sleng Genocidal Museum. This paper aims to carefully analyze the mechanism through which the images were produced by the executioners' machine as a basic step in a chain. In so doing, the photographic act reveals itself as part of a sequence that has left a trace in the photo itself. Then, the article addresses the migration these images have experiences, from museum and art galleries to memorial museums, from books and internet databases to the criminal court.
dc.language.iso spa
dc.relation.ispartof Pasajes, 2014, vol. 44, num. primavera, p. 120-135
dc.subject Cinema documental
dc.title Del mudable semblante de las víctimas. Imágenes de la aflicción en Camboya (1975-2013)
dc.type journal article es_ES
dc.date.updated 2014-09-03T07:46:16Z
dc.identifier.idgrec 099034
dc.rights.accessRights open access es_ES

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