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Showing and Saying. An Aesthetic Difference

Repositori DSpace/Manakin

dc.contributor.author	Sanfélix, Vicente
dc.date.accessioned	2015-06-08T07:12:02Z
dc.date.available	2015-06-08T07:12:02Z
dc.date.issued	2013
dc.identifier.citation	Sanfélix, Vicente 2013 Showing and Saying. An Aesthetic Difference Aisthesis (Pistoia) 6 1 139 150
dc.identifier.uri	http://hdl.handle.net/10550/44201
dc.description.abstract	Wittgenstein¿s distinction between saying and showing and the associated thesis, what can be shown cannot be said, were crucial to his first philosophy, persisted throughout the evolution of his whole thought and played a key role in his views on aesthetics. The objective of art is access to the mystical, forcing us to become aware of the uniqueness of our own experience and life. When art is good is a perfect expression and the work of art becomes like a tautology. An important consequence of this understanding of art is the irreducibility of the aesthetic to the scientific perspective.
dc.language.iso	eng
dc.relation.ispartof	Aisthesis (Pistoia), 2013, vol. 6, num. 1, p. 139-150
dc.subject	Estètica
dc.title	Showing and Saying. An Aesthetic Difference
dc.type	journal article	es_ES
dc.date.updated	2015-06-08T07:12:02Z
dc.identifier.idgrec	085147
dc.rights.accessRights	open access	es_ES