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La passió pel real i la reacció contra la metàfora en la poètica

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dc.contributor.author	Santamaria de Mingo, Vicent	es
dc.date.accessioned	2015-11-27T12:48:05Z
dc.date.available	2015-11-27T12:48:05Z
dc.date.issued	2006	es
dc.identifier.citation	Santamaria de Mingo, Vicent. La passió pel real i la reacció contra la metàfora en la poètica. En: Caplletra : Revista Internacional de Filologia, 2006, No. 40: 69	es
dc.identifier.uri	http://hdl.handle.net/10550/48612
dc.description.abstract	Between 1927 and 1937, Dalí was author of a remarkable work of poetry simultaneous to his paintings. This article attempts at analysing the theoretical corpus in which his work is based on. Dali’s ideas about poetry were always determined by the same objectivist ambition and a permanent interest in reality, in convergence with scientific research. Against the cunning arguments the painter ascribes to metaphorical processes, it will be imposed, at first, the knowledge of the outside world, thanks to Bergson and, later, the investigation of the internal world due to Freud’s sponsorship, as a result of the incorporation of Surrealism. In the last analysis, this article aims at being an innovative approach to Dali’s poetry from the theory of knowledge.	en_US
dc.subject	Lingüística	es
dc.subject	Filologías	es
dc.title	La passió pel real i la reacció contra la metàfora en la poètica	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS	es
dc.type.hasVersion	VoR	es_ES