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Biografía Artística de Joan Cardells y Análisis de su obra

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Biografía Artística de Joan Cardells y Análisis de su obra

dc.contributor.advisor	Martín Martínez, José
dc.contributor.author	Ortega Férez, Alonso
dc.contributor.other	Departament de Història de l'Art	es_ES
dc.date.accessioned	2016-04-15T06:44:15Z
dc.date.available	2016-04-16T04:45:06Z
dc.date.issued	2015	es_ES
dc.date.submitted	02-02-2016	es_ES
dc.identifier.uri	http://hdl.handle.net/10550/52709
dc.description.abstract	The thesis deals with the life and work of Joan individual Cardells both of his early works, when you start your artistic learning, as subsequent to his adventure in the Reality Team. Naturally this time also is treated in the thesis, but the center of the work is the individual work of Cardells, a work unfortunately not as well known as his work in the team. Cardells, when it leaves the Equipo Realidad, in 1976, a radical change arises in their work. So that leaves the paint and is dedicated to sculpture and, above all, to the drawing. The change that this implies, when I had some recognition as a painter, makes her face back to the art market and its recognition as a sculptor and draftsman. The devote himself mainly to the drawing, a technique that does not have the same evaluation as painting or sculpture, perhaps he has taken the role it should in the art world; in fact it is best known for his sculptures drawings. Its exclusive dedication to what you really like, which is mostly draw, and not worry about other tasks such as promoting his new book, has contributed to an insufficient knowledge of what his artistic work deserves. In this solo stage style it is changing very often, constantly surprising; and developing a rich artistic language which is his drawings and sculptures as sculptures and drawings. A link that is seen in all its series, is the constant reference to artistic education; why his work has a component of joy, enjoyment in performing their work. Try the thrill novice dedicated to learn what you like and, of course, begins with the drawing. For all this, it was important to have a job on the individual work of Cardells, which has been dedicated and years, many more than dedicated to their teamwork. A work in which they are not absent certain references to classicism, to treat his sculptures as plaster copies of classical statues used in the initiation of the drawing; also with the appearance in some of his works in a garment classic as is the Greek chiton. The same Cardells says that one is as the son of the Renaissance as the Surrealists and, indeed, their works are between classicism and avant-garde. His own experiences have their place in this new stage: their glances to art history books with illustrations in black and white; visits with his father, the Museum of Fine Arts in Valencia; your family memories of tailoring crafts; his fascination with the old industrial treaties, somewhat murky photos; his taste for the first and crude drawings of comic Roberto Alcazar and Pedrin, etc. Today, at 67, still she is drawing and doing work that it has defined as "exciting" compared to their stage of Reality Team, which considers "interesting". Alonso Ortega Ferez The thesis deals with the life and work of Joan individual Cardells both of his early works, when you start your artistic learning, as subsequent to his adventure in the Reality Team. Naturally this time also is treated in the thesis, but the center of the work is the individual work of Cardells, a work unfortunately not as well known as his work in the team. Cardells, when it leaves the Equipo Realidad, in 1976, a radical change arises in their work. So that leaves the paint and is dedicated to sculpture and, above all, to the drawing. The change that this implies, when I had some recognition as a painter, makes her face back to the art market and its recognition as a sculptor and draftsman. The devote himself mainly to the drawing, a technique that does not have the same evaluation as painting or sculpture, perhaps he has taken the role it should in the art world; in fact it is best known for his sculptures drawings. Its exclusive dedication to what you really like, which is mostly draw, and not worry about other tasks such as promoting his new book, has contributed to an insufficient knowledge of what his artistic work deserves. In this solo stage style it is changing very often, constantly surprising; and developing a rich artistic language which is his drawings and sculptures as sculptures and drawings. A link that is seen in all its series, is the constant reference to artistic education; why his work has a component of joy, enjoyment in performing their work. Try the thrill novice dedicated to learn what you like and, of course, begins with the drawing. For all this, it was important to have a job on the individual work of Cardells, which has been dedicated and years, many more than dedicated to their teamwork. A work in which they are not absent certain references to classicism, to treat his sculptures as plaster copies of classical statues used in the initiation of the drawing; also with the appearance in some of his works in a garment classic as is the Greek chiton. The same Cardells says that one is as the son of the Renaissance as the Surrealists and, indeed, their works are between classicism and avant-garde. His own experiences have their place in this new stage: their glances to art history books with illustrations in black and white; visits with his father, the Museum of Fine Arts in Valencia; your family memories of tailoring crafts; his fascination with the old industrial treaties, somewhat murky photos; his taste for the first and crude drawings of comic Roberto Alcazar and Pedrin, etc. Today, at 67, still she is drawing and doing work that it has defined as "exciting" compared to their stage of Reality Team, which considers "interesting". Alonso Ortega Ferez The thesis deals with the life and work of Joan individual Cardells both of his early works, when you start your artistic learning, as subsequent to his adventure in the Reality Team. Naturally this time also is treated in the thesis, but the center of the work is the individual work of Cardells, a work unfortunately not as well known as his work in the team. Cardells, when it leaves the Equipo Realidad, in 1976, a radical change arises in their work. So that leaves the paint and is dedicated to sculpture and, above all, to the drawing. The change that this implies, when I had some recognition as a painter, makes her face back to the art market and its recognition as a sculptor and draftsman. The devote himself mainly to the drawing, a technique that does not have the same evaluation as painting or sculpture, perhaps he has taken the role it should in the art world; in fact it is best known for his sculptures drawings. Its exclusive dedication to what you really like, which is mostly draw, and not worry about other tasks such as promoting his new book, has contributed to an insufficient knowledge of what his artistic work deserves. In this solo stage style it is changing very often, constantly surprising; and developing a rich artistic language which is his drawings and sculptures as sculptures and drawings. A link that is seen in all its series, is the constant reference to artistic education; why his work has a component of joy, enjoyment in performing their work. Try the thrill novice dedicated to learn what you like and, of course, begins with the drawing. For all this, it was important to have a job on the individual work of Cardells, which has been dedicated and years, many more than dedicated to their teamwork. A work in which they are not absent certain references to classicism, to treat his sculptures as plaster copies of classical statues used in the initiation of the drawing; also with the appearance in some of his works in a garment classic as is the Greek chiton. The same Cardells says that one is as the son of the Renaissance as the Surrealists and, indeed, their works are between classicism and avant-garde. His own experiences have their place in this new stage: their glances to art history books with illustrations in black and white; visits with his father, the Museum of Fine Arts in Valencia; your family memories of tailoring crafts; his fascination with the old industrial treaties, somewhat murky photos; his taste for the first and crude drawings of comic Roberto Alcazar and Pedrin, etc. Today, at 67, still she is drawing and doing work that it has defined as "exciting" compared to their stage of Reality Team, which considers "interesting". Alonso Ortega Ferez The thesis deals with the life and work of Joan individual Cardells both of his early works, when you start your artistic learning, as subsequent to his adventure in the Reality Team. Naturally this time also is treated in the thesis, but the center of the work is the individual work of Cardells, a work unfortunately not as well known as his work in the team. Cardells, when it leaves the Equipo Realidad, in 1976, a radical change arises in their work. So that leaves the paint and is dedicated to sculpture and, above all, to the drawing. The change that this implies, when I had some recognition as a painter, makes her face back to the art market and its recognition as a sculptor and draftsman. The devote himself mainly to the drawing, a technique that does not have the same evaluation as painting or sculpture, perhaps he has taken the role it should in the art world; in fact it is best known for his sculptures drawings. Its exclusive dedication to what you really like, which is mostly draw, and not worry about other tasks such as promoting his new book, has contributed to an insufficient knowledge of what his artistic work deserves. In this solo stage style it is changing very often, constantly surprising; and developing a rich artistic language which is his drawings and sculptures as sculptures and drawings. A link that is seen in all its series, is the constant reference to artistic education; why his work has a component of joy, enjoyment in performing their work. Try the thrill novice dedicated to learn what you like and, of course, begins with the drawing. For all this, it was important to have a job on the individual work of Cardells, which has been dedicated and years, many more than dedicated to their teamwork. A work in which they are not absent certain references to classicism, to treat his sculptures as plaster copies of classical statues used in the initiation of the drawing; also with the appearance in some of his works in a garment classic as is the Greek chiton. The same Cardells says that one is as the son of the Renaissance as the Surrealists and, indeed, their works are between classicism and avant-garde. His own experiences have their place in this new stage: their glances to art history books with illustrations in black and white; visits with his father, the Museum of Fine Arts in Valencia; your family memories of tailoring crafts; his fascination with the old industrial treaties, somewhat murky photos; his taste for the first and crude drawings of comic Roberto Alcazar and Pedrin, etc. Today, at 67, still she is drawing and doing work that it has defined as "exciting" compared to their stage of Reality Team, which considers "interesting". Alonso Ortega Ferez The thesis deals with the life and work of Joan individual Cardells both of his early works, when you start your artistic learning, as subsequent to his adventure in the Reality Team. Naturally this time also is treated in the thesis, but the center of the work is the individual work of Cardells, a work unfortunately not as well known as his work in the team. Cardells, when it leaves the Equipo Realidad, in 1976, a radical change arises in their work. So that leaves the paint and is dedicated to sculpture and, above all, to the drawing. The change that this implies, when I had some recognition as a painter, makes her face back to the art market and its recognition as a sculptor and draftsman. The devote himself mainly to the drawing, a technique that does not have the same evaluation as painting or sculpture, perhaps he has taken the role it should in the art world; in fact it is best known for his sculptures drawings. Its exclusive dedication to what you really like, which is mostly draw, and not worry about other tasks such as promoting his new book, has contributed to an insufficient knowledge of what his artistic work deserves. In this solo stage style it is changing very often, constantly surprising; and developing a rich artistic language which is his drawings and sculptures as sculptures and drawings. A link that is seen in all its series, is the constant reference to artistic education; why his work has a component of joy, enjoyment in performing their work. Try the thrill novice dedicated to learn what you like and, of course, begins with the drawing. For all this, it was important to have a job on the individual work of Cardells, which has been dedicated and years, many more than dedicated to their teamwork. A work in which they are not absent certain references to classicism, to treat his sculptures as plaster copies of classical statues used in the initiation of the drawing; also with the appearance in some of his works in a garment classic as is the Greek chiton. The same Cardells says that one is as the son of the Renaissance as the Surrealists and, indeed, their works are between classicism and avant-garde. His own experiences have their place in this new stage: their glances to art history books with illustrations in black and white; visits with his father, the Museum of Fine Arts in Valencia; your family memories of tailoring crafts; his fascination with the old industrial treaties, somewhat murky photos; his taste for the first and crude drawings of comic Roberto Alcazar and Pedrin, etc. Today, at 67, still she is drawing and doing work that it has defined as "exciting" compared to their stage of Reality Team, which considers "interesting". Alonso Ortega Ferez The thesis deals with the life and work of Joan individual Cardells both of his early works, when you start your artistic learning, as subsequent to his adventure in the Reality Team. Naturally this time also is treated in the thesis, but the center of the work is the individual work of Cardells, a work unfortunately not as well known as his work in the team. Cardells, when it leaves the Equipo Realidad, in 1976, a radical change arises in their work. So that leaves the paint and is dedicated to sculpture and, above all, to the drawing. The change that this implies, when I had some recognition as a painter, makes her face back to the art market and its recognition as a sculptor and draftsman. The devote himself mainly to the drawing, a technique that does not have the same evaluation as painting or sculpture, perhaps he has taken the role it should in the art world; in fact it is best known for his sculptures drawings. Its exclusive dedication to what you really like, which is mostly draw, and not worry about other tasks such as promoting his new book, has contributed to an insufficient knowledge of what his artistic work deserves. In this solo stage style it is changing very often, constantly surprising; and developing a rich artistic language which is his drawings and sculptures as sculptures and drawings. A link that is seen in all its series, is the constant reference to artistic education; why his work has a component of joy, enjoyment in performing their work. Try the thrill novice dedicated to learn what you like and, of course, begins with the drawing. For all this, it was important to have a job on the individual work of Cardells, which has been dedicated and years, many more than dedicated to their teamwork. A work in which they are not absent certain references to classicism, to treat his sculptures as plaster copies of classical statues used in the initiation of the drawing; also with the appearance in some of his works in a garment classic as is the Greek chiton. The same Cardells says that one is as the son of the Renaissance as the Surrealists and, indeed, their works are between classicism and avant-garde. His own experiences have their place in this new stage: their glances to art history books with illustrations in black and white; visits with his father, the Museum of Fine Arts in Valencia; your family memories of tailoring crafts; his fascination with the old industrial treaties, somewhat murky photos; his taste for the first and crude drawings of comic Roberto Alcazar and Pedrin, etc. Today, at 67, still she is drawing and doing work that it has defined as "exciting" compared to their stage of Reality Team, which considers "interesting". Alonso Ortega Ferez The thesis deals with the life and work of Joan individual Cardells both of his early works, when you start your artistic learning, as subsequent to his adventure in the Reality Team. Naturally this time also is treated in the thesis, but the center of the work is the individual work of Cardells, a work unfortunately not as well known as his work in the team. Cardells, when it leaves the Equipo Realidad, in 1976, a radical change arises in their work. So that leaves the paint and is dedicated to sculpture and, above all, to the drawing. The change that this implies, when I had some recognition as a painter, makes her face back to the art market and its recognition as a sculptor and draftsman. The devote himself mainly to the drawing, a technique that does not have the same evaluation as painting or sculpture, perhaps he has taken the role it should in the art world; in fact it is best known for his sculptures drawings. Its exclusive dedication to what you really like, which is mostly draw, and not worry about other tasks such as promoting his new book, has contributed to an insufficient knowledge of what his artistic work deserves. In this solo stage style it is changing very often, constantly surprising; and developing a rich artistic language which is his drawings and sculptures as sculptures and drawings. A link that is seen in all its series, is the constant reference to artistic education; why his work has a component of joy, enjoyment in performing their work. Try the thrill novice dedicated to learn what you like and, of course, begins with the drawing. For all this, it was important to have a job on the individual work of Cardells, which has been dedicated and years, many more than dedicated to their teamwork. A work in which they are not absent certain references to classicism, to treat his sculptures as plaster copies of classical statues used in the initiation of the drawing; also with the appearance in some of his works in a garment classic as is the Greek chiton. The same Cardells says that one is as the son of the Renaissance as the Surrealists and, indeed, their works are between classicism and avant-garde. His own experiences have their place in this new stage: their glances to art history books with illustrations in black and white; visits with his father, the Museum of Fine Arts in Valencia; your family memories of tailoring crafts; his fascination with the old industrial treaties, somewhat murky photos; his taste for the first and crude drawings of comic Roberto Alcazar and Pedrin, etc. Today, at 67, still she is drawing and doing work that it has defined as "exciting" compared to their stage of Reality Team, which considers "interesting". Alonso Ortega Ferez The thesis deals with the life and work of Joan individual Cardells both of his early works, when you start your artistic learning, as subsequent to his adventure in the Reality Team. Naturally this time also is treated in the thesis, but the center of the work is the individual work of Cardells, a work unfortunately not as well known as his work in the team. Cardells, when it leaves the Equipo Realidad, in 1976, a radical change arises in their work. So that leaves the paint and is dedicated to sculpture and, above all, to the drawing. The change that this implies, when I had some recognition as a painter, makes her face back to the art market and its recognition as a sculptor and draftsman. The devote himself mainly to the drawing, a technique that does not have the same evaluation as painting or sculpture, perhaps he has taken the role it should in the art world; in fact it is best known for his sculptures drawings. Its exclusive dedication to what you really like, which is mostly draw, and not worry about other tasks such as promoting his new book, has contributed to an insufficient knowledge of what his artistic work deserves. In this solo stage style it is changing very often, constantly surprising; and developing a rich artistic language which is his drawings and sculptures as sculptures and drawings. A link that is seen in all its series, is the constant reference to artistic education; why his work has a component of joy, enjoyment in performing their work. Try the thrill novice dedicated to learn what you like and, of course, begins with the drawing. For all this, it was important to have a job on the individual work of Cardells, which has been dedicated and years, many more than dedicated to their teamwork. A work in which they are not absent certain references to classicism, to treat his sculptures as plaster copies of classical statues used in the initiation of the drawing; also with the appearance in some of his works in a garment classic as is the Greek chiton. The same Cardells says that one is as the son of the Renaissance as the Surrealists and, indeed, their works are between classicism and avant-garde. His own experiences have their place in this new stage: their glances to art history books with illustrations in black and white; visits with his father, the Museum of Fine Arts in Valencia; your family memories of tailoring crafts; his fascination with the old industrial treaties, somewhat murky photos; his taste for the first and crude drawings of comic Roberto Alcazar and Pedrin, etc. Today, at 67, still she is drawing and doing work that it has defined as "exciting" compared to their stage of Reality Team, which considers "interesting". Alonso Ortega Ferez The thesis deals with the life and work of Joan individual Cardells both of his early works, when you start your artistic learning, as subsequent to his adventure in the Reality Team. Naturally this time also is treated in the thesis, but the center of the work is the individual work of Cardells, a work unfortunately not as well known as his work in the team. Cardells, when it leaves the Equipo Realidad, in 1976, a radical change arises in their work. So that leaves the paint and is dedicated to sculpture and, above all, to the drawing. The change that this implies, when I had some recognition as a painter, makes her face back to the art market and its recognition as a sculptor and draftsman. The devote himself mainly to the drawing, a technique that does not have the same evaluation as painting or sculpture, perhaps he has taken the role it should in the art world; in fact it is best known for his sculptures drawings. Its exclusive dedication to what you really like, which is mostly draw, and not worry about other tasks such as promoting his new book, has contributed to an insufficient knowledge of what his artistic work deserves. In this solo stage style it is changing very often, constantly surprising; and developing a rich artistic language which is his drawings and sculptures as sculptures and drawings. A link that is seen in all its series, is the constant reference to artistic education; why his work has a component of joy, enjoyment in performing their work. Try the thrill novice dedicated to learn what you like and, of course, begins with the drawing. For all this, it was important to have a job on the individual work of Cardells, which has been dedicated and years, many more than dedicated to their teamwork. A work in which they are not absent certain references to classicism, to treat his sculptures as plaster copies of classical statues used in the initiation of the drawing; also with the appearance in some of his works in a garment classic as is the Greek chiton. The same Cardells says that one is as the son of the Renaissance as the Surrealists and, indeed, their works are between classicism and avant-garde. His own experiences have their place in this new stage: their glances to art history books with illustrations in black and white; visits with his father, the Museum of Fine Arts in Valencia; your family memories of tailoring crafts; his fascination with the old industrial treaties, somewhat murky photos; his taste for the first and crude drawings of comic Roberto Alcazar and Pedrin, etc. Today, at 67, still she is drawing and doing work that it has defined as "exciting" compared to their stage of Reality Team, which considers "interesting". Alonso Ortega Ferez	en_US
dc.description.abstract	La tesis trata de la vida y la obra individual de Joan Cardells, tanto de sus primeras obras, cuando inicia su aprendizaje artístico, como de las posteriores a su aventura en el Equipo Realidad. Naturalmente esta época también es tratada en la tesis, pero el centro del trabajo es la obra individual de Cardells, una obra por desgracia no tan conocida como la de su trabajo en el Equipo. Cardells, cuando deja el Equipo Realidad, en el año 1976, se plantea un cambio radical en su trabajo. De manera que deja la pintura y se dedica a la escultura y, sobre todo, al dibujo. El cambio que esto supone, cuando ya tenía un cierto reconocimiento como pintor, le hace enfrentarse de nuevo al mercado del arte y a su reconocimiento como escultor y dibujante. El dedicarse sobre todo al dibujo, una técnica que no tiene la misma valoración que la pintura o la escultura, quizás le haya quitado el protagonismo que debiera en el mundo del arte; de hecho es más conocido por sus esculturas que sus dibujos. Su dedicación exclusiva a lo que verdaderamente le gusta, que es sobre todo dibujar, y el no preocuparse de otras tareas como la promoción de su nueva obra, ha contribuido a un conocimiento insuficientemente de lo que se merece su labor artística. En esta etapa individual va cambiando de estilo muy a menudo, sorprendiéndonos constantemente; y desarrollando un rico lenguaje artístico donde trata sus dibujos como esculturas y sus esculturas como dibujos. Un nexo de unión que se vislumbra en todas sus series, es la constante referencia a las enseñanzas artísticas; por eso su trabajo tiene un componente de gozo, de disfrute en la realización de sus obras. Trata la emoción del principiante que se dedica a aprender lo que le gusta y, naturalmente, comienza por el dibujo. Por todo esto, era importante que hubiera un trabajo sobre la obra individual de Cardells, a la que lleva dedicándose ya años, muchos más de los que dedicó a su trabajo en equipo. Una obra en la que tampoco están ausentes ciertas referencias al clasicismo, al tratar sus esculturas como las copias de yeso de las estatuas clásicas que se emplean en la iniciación del dibujo; además, con la aparición en algunas de sus obras de una prenda de vestir clásica como es el chitón griego. El mismo Cardells dice que uno es tan hijo de los renacentistas como de los surrealistas y, efectivamente, sus obras se encuentran entre el clasicismo y la vanguardia. Sus propias vivencias tienen también su sitio en esta nueva etapa: sus ojeadas a los libros de historia de arte con ilustraciones en blanco y negro; las visitas, con su padre, al Museo de Bellas Artes de Valencia; sus recuerdos familiares de trabajos artesanales de sastrería; su fascinación por los antiguos tratados industriales, de fotos un tanto turbias; su gusto por los primeros y toscos dibujos del tebeo Roberto Alcázar y Pedrín, etc. Actualmente, a sus 67 años, sigue dibujando y realizando un trabajo que el mismo ha definido como “apasionante”, en comparación con su etapa del Equipo Realidad, que considera “interesante”. Alonso Ortega Férez	es_ES
dc.format.extent	1083 p.	es_ES
dc.language.iso	es	es_ES
dc.subject	biografía	es_ES
dc.subject	joan	es_ES
dc.subject	cardells	es_ES
dc.subject	obra	es_ES
dc.title	Biografía Artística de Joan Cardells y Análisis de su obra	es_ES
dc.type	doctoral thesis	es_ES
dc.subject.unesco	UNESCO::HISTORIA	es_ES
dc.embargo.terms	0 days	es_ES