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The use of facial characteristics as engendering strategies in Phoenician-Punic studies

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dc.contributor.author	López-Bertrán, Mireia
dc.contributor.author	Garcia-Ventura, Agnès
dc.date.accessioned	2017-06-02T07:14:51Z
dc.date.available	2017-06-02T07:14:51Z
dc.date.issued	2016
dc.identifier.citation	López-Bertrán, Mireia Garcia-Ventura, Agnès 2016 The use of facial characteristics as engendering strategies in Phoenician-Punic studies Near Eastern Archaeology 79 3 206 213
dc.identifier.uri	http://hdl.handle.net/10550/58815
dc.description.abstract	In this paper, we consider four categories of Phoenician-Punic artifacts and how they have been engendered in modern scholarship, specifically with regard to facial characteristics: mold-made musician figurines, bottle-shaped figurines, and masks both of terracotta and painted ostrich eggshell.1 Although we shall not discuss these objects in depth, we contend that it is worthwhile to consider them together in order to draw attention to the strategies used to engender these objects in Phoenician-Punic studies, as they present some common facial characteristics which have been interpreted quite differently by scholars in terms of their relationship to gender.
dc.language.iso	eng
dc.relation.ispartof	Near Eastern Archaeology, 2016, vol. 79, num. 3, p. 206-213
dc.subject	Arqueologia
dc.title	The use of facial characteristics as engendering strategies in Phoenician-Punic studies
dc.type	journal article	es_ES
dc.date.updated	2017-06-02T07:14:51Z
dc.identifier.idgrec	119011
dc.rights.accessRights	open access	es_ES