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Magnifying the ordinary: genre mixture and humour in the TV series 'Chuck'
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Magnifying the ordinary: genre mixture and humour in the TV series 'Chuck'
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| dc.contributor.author | Gregori-Signes, Carmen | |
| dc.date.accessioned | 2018-04-13T10:38:34Z | |
| dc.date.available | 2018-04-13T10:38:34Z | |
| dc.date.issued | 2012 | |
| dc.identifier.citation | Gregori-Signes, Carmen 2012 Magnifying the ordinary: genre mixture and humour in the TV series 'Chuck' Komunikacija i kultura online III 3 157 167 | |
| dc.identifier.uri | http://hdl.handle.net/10550/65648 | |
| dc.description.abstract | Chuck is an American television series about a "normal" guy who works at the Buy More. His life changes dramatically when he becomes the most important person for the USA intelligence. This gives rise to a conflict between civilian and spy life. The analysis involves a multimodal account (cf. Lorenzo-Dus 2009) of the aesthetics (Cardwell 2005) of the second season that illustrates how the series establishes a parallelism between Chuck's life as a spy and that of his colleagues at the Buy More. By combining elements from different genres (Altman 1988) it portrays a rather "different from what may be the expected-representation" (Kress and van Leeuwen 2001:10) of the routine at the workplace (Armstrong 2005), thus depicting a rare humorous magnification of the ordinary life of a group of ordinary citizens with an ordinary job (cf. Beeden and Bruin 2011) | |
| dc.language.iso | eng | |
| dc.relation.ispartof | Komunikacija i kultura online, 2012, vol. III, num. 3, p. 157-167 | |
| dc.subject | Llengües modernes | |
| dc.title | Magnifying the ordinary: genre mixture and humour in the TV series 'Chuck' | |
| dc.type | journal article | es_ES |
| dc.date.updated | 2018-04-13T10:38:35Z | |
| dc.identifier.idgrec | 088645 | |
| dc.rights.accessRights | open access | es_ES |
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