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La relación entre la Casa Roger de Figueres y las pinturas de Salvador Dalí realizadas en 1929

Repositori DSpace/Manakin

dc.contributor.author	Borrás Espinosa, Marc	es
dc.date.accessioned	2018-05-23T08:23:49Z
dc.date.available	2018-05-23T08:23:49Z
dc.date.issued	2017	es
dc.identifier.citation	Borrás Espinosa, Marc. La relación entre la Casa Roger de Figueres y las pinturas de Salvador Dalí realizadas en 1929. En: Ars longa: cuadernos de arte, 26 2017: 263-272	es
dc.identifier.uri	http://hdl.handle.net/10550/66273
dc.description.abstract	The presence of a big grasshoppers in certain Salvador Dalí?s paintings has been explained iconologically as the result of his phobia. The origin of this insect is located in the painter?s subconscious, being an advance of his paranoid-critical method. However, a study of the buildings on Monturiol Street, where he lived his childhood and youth, unreil a particular origin of this orthopteran, revealing the conscious use of the elements present in his paintings.	es
dc.title	La relación entre la Casa Roger de Figueres y las pinturas de Salvador Dalí realizadas en 1929	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::HISTORIA	es
dc.identifier.doi		es
dc.type.hasVersion	VoR	es_ES