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Figuras del desarraigo: los ciclos Caminantes e Hilaturas de Víctor Mira

Repositori DSpace/Manakin

dc.contributor.author	Cortés Santamarta, David	es
dc.date.accessioned	2018-05-23T08:23:49Z
dc.date.available	2018-05-23T08:23:49Z
dc.date.issued	2017	es
dc.identifier.citation	Cortés Santamarta, David. Figuras del desarraigo: los ciclos Caminantes e Hilaturas de Víctor Mira. En: Ars longa: cuadernos de arte, 26 2017: 291-302	es
dc.identifier.uri	http://hdl.handle.net/10550/66275
dc.description.abstract	The present text analyses the iconography of two cycles of works created by the Spanish artist Víctor Mira (1949-2003) throughout the first part of the 1980s. The tortured condition of the figures not only transmits the existential unrest of the author, but also includes allusions to the two cultural traditions, German and Spanish, where Mira developed his creative work. Due to the dramatic intensity and symbolic density of his artistic language and his resolute use of the pictorial medium to reflect around one?s identity and contemporary history, Víctor Mira?s work, defined within the so-called Neo-Expressionist movement which dominated European painting in those years, is close to the work of German painters, such as Baselitz, Kiefer, Penck or Immendorff.	es
dc.title	Figuras del desarraigo: los ciclos Caminantes e Hilaturas de Víctor Mira	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::HISTORIA	es
dc.identifier.doi		es
dc.type.hasVersion	VoR	es_ES