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dc.contributor.author | Pérez Ochando, Luis | es |
dc.date.accessioned | 2018-05-23T08:23:50Z | |
dc.date.available | 2018-05-23T08:23:50Z | |
dc.date.issued | 2017 | es |
dc.identifier.citation | Pérez Ochando, Luis. La guerra interminable. La conquista del oeste como modelo cultural de la guerra contra el terror. En: Ars longa: cuadernos de arte, 26 2017: 349-364 | es |
dc.identifier.uri | http://hdl.handle.net/10550/66279 | |
dc.description.abstract | This paper explores the cultural representation of American Indian Wars as a precedent of the arguments that legitimized the War on Terror after 9/11. Our goal will be to analyse the film narratives about the American Indian Wars as a culturally internalized ideological pattern that reemerges as a response to newer conflicts. More specifically, we will focus on two main aspects of westerns: the philosophy of Manifest Destiny and the representation of otherness, two ideas that help to explain how dominant ideology answered the 9/11 terrorist attacks. | es |
dc.title | La guerra interminable. La conquista del oeste como modelo cultural de la guerra contra el terror | es |
dc.type | journal article | es_ES |
dc.subject.unesco | UNESCO::HISTORIA | es |
dc.identifier.doi | es | |
dc.type.hasVersion | VoR | es_ES |