NAGIOS: RODERIC FUNCIONANDO

Frankenstein o el moderno teúrgo: la recepción de la magia hermética en la obra de Mary Shelley

Repositori DSpace/Manakin

dc.contributor.author	Sánchez Pérez, Carlos	es
dc.date.accessioned	2018-08-01T07:22:27Z
dc.date.available	2018-08-01T07:22:27Z
dc.date.issued	2017	es
dc.identifier.citation	Sánchez Pérez, Carlos. Frankenstein o el moderno teúrgo: la recepción de la magia hermética en la obra de Mary Shelley. En: Studia philologica valentina, 1 2017: 189-198	es
dc.identifier.uri	http://hdl.handle.net/10550/67356
dc.description.abstract	This work considers the relationship between the novel Frankenstein; or, The Modern Prometheus and nineteenth-century esotericism with Hermeticism and its magical practices. We will focus on the influence of theurgy, a very popular magical-religious practice among the Neoplatonic movements of the first centuries of our era. In its Hermetic form, the art of animating statues through the attraction of their internal divine powers stands out. On the one hand, we will present an analysis of the path that this unique practice follows until it reaches Frankenstein. On the other hand, we will deal with the reception of the motive in this work.	es
dc.title	Frankenstein o el moderno teúrgo: la recepción de la magia hermética en la obra de Mary Shelley	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS	es
dc.identifier.doi		es
dc.type.hasVersion	VoR	es_ES