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The Perpetrator's mise-en-scène: Language, Body, and Memory in the Cambodian Genocide

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The Perpetrator's mise-en-scène: Language, Body, and Memory in the Cambodian Genocide

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dc.contributor.author Sánchez-Biosca, Vicente
dc.date.accessioned 2019-01-02T11:46:16Z
dc.date.available 2019-01-02T11:46:16Z
dc.date.issued 2018
dc.identifier.citation Sánchez-Biosca, Vicente 2018 The Perpetrator's mise-en-scène: Language, Body, and Memory in the Cambodian Genocide Journal of Perpetrator Research 2 1 65 94
dc.identifier.uri http://hdl.handle.net/10550/68351
dc.description.abstract Rithy Panh's film S-21. The Khmer Rouge Killing Machine (2003) was the result of a three- year shooting period in the Khmer Rouge centre of torture where perpetrators and victims exchanged experiences and re-enacted scenes from the past under the gaze of the filmmaker's camera. Yet, a crucial testimony was missing in that puzzle: the voice of the prison's director, Kaing Guek Eav, comrade Duch. When the Extraor- dinary Chambers in the Courts of Cambodia (ECCC) were finally established in Phnom Penh to judge the master criminals of Democratic Kampuchea, the first to be indicted was this desk criminal. The film Duch, Master of the Forges of Hell (Panh, 2011) deploys a new confrontation - an agon, in the terminology of tragedy - between a former perpetrator and a former victim, seen through cinema language. The audiovisual document registers Duch's words and body as he develops his narrative, playing cunningly with contrition and deceit. The construction of this narrative and its deconstruction by Panh can be more fully understood by comparing some film scenes with other footage shot before, during and after the hearings. In sum, this 'chamber film' permits us to analyse two voices: that of the perpetrator, including his narrative and body language; and the invisible voice of the survivor that expresses itself through editing, sound effects, and montage.
dc.language.iso eng
dc.relation.ispartof Journal of Perpetrator Research, 2018, vol. 2, num. 1, p. 65-94
dc.subject Violència en la cinematografia
dc.title The Perpetrator's mise-en-scène: Language, Body, and Memory in the Cambodian Genocide
dc.type journal article es_ES
dc.date.updated 2019-01-02T11:46:17Z
dc.identifier.doi 10.5334/jpr.2.1.15
dc.identifier.idgrec 129128
dc.rights.accessRights open access es_ES

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