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Lenguaje y poder en la poesía de María Salgado y de Ángela Segovia

Repositori DSpace/Manakin

dc.contributor.author	Molina, Guillermo	es
dc.date.accessioned	2019-01-18T13:56:23Z
dc.date.available	2019-01-18T13:56:23Z
dc.date.issued	2018	es
dc.identifier.citation	Molina, Guillermo. Lenguaje y poder en la poesía de María Salgado y de Ángela Segovia. En: Kamchatka: revista de análisis cultural, 11 2018: 221-238	es
dc.identifier.uri	http://hdl.handle.net/10550/68547
dc.description.abstract	In this paper, we study three present proposals working with language to create political dissent through poetry. ready (2012), by María Salgado (1984), suggests an experience of loss towards being classless. Hacía un ruido. Frases para un film político (2016), by the same poet, try a democratic overflow through a ?collage? of heterogeneous verbal materials collected in the streets. La curva se volvió barricada (2016), by Ángela Segovia (1987), displays a struggle against every closed form of power that threatens a subject defined by her woman corporality. Overall, these three books mean an outstanding attempt to expand the limits of Spanish contemporary poetry.	es
dc.title	Lenguaje y poder en la poesía de María Salgado y de Ángela Segovia	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS	es
dc.identifier.doi	10.7203/KAM.11.11407	es
dc.type.hasVersion	VoR	es_ES