NAGIOS: RODERIC FUNCIONANDO

Animation, documentary and memory. the animated representation of the chilean dictatorship

Repositori DSpace/Manakin

dc.contributor.author	Vicente Fenoll
dc.date.accessioned	2019-04-10T07:46:15Z
dc.date.available	2019-04-10T07:46:15Z
dc.date.issued	2018
dc.identifier.citation	Vicente Fenoll 2018 Animation, documentary and memory. the animated representation of the chilean dictatorship Cuadernos.info 43 45 56
dc.identifier.uri	http://hdl.handle.net/10550/69820
dc.description.abstract	Animation appears more and more in productions about events related to memory. We aim to analyze the works that incorporate animated scenes to represent the Chilean dictatorship and to deepen the convergence between animation, documentary and memory. From a qualitative perspective, we combine the analysis of animations with interviews with their directors. The results show that animation is a versatile format, which allows authors to overcome the absence of archive images, soften the degree of representation of traumatic events, lower costs, connect memory with new generations and favor the viewer's empathy.
dc.language.iso	eng
dc.relation.ispartof	Cuadernos.info, 2018, num. 43, p. 45-56
dc.subject	Cinema còmic
dc.title	Animation, documentary and memory. the animated representation of the chilean dictatorship
dc.type	journal article	es_ES
dc.date.updated	2019-04-10T07:46:15Z
dc.identifier.doi	10.7764/cdi.43.1381
dc.identifier.idgrec	131048
dc.rights.accessRights	open access	es_ES