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De Platon à Dodecahedron : les apports des textures ligétiennes et de la musique électronique chez un groupe de Metal extrême

Repositori DSpace/Manakin

dc.contributor.author	Béra, Camille	es
dc.date.accessioned	2019-09-16T07:25:49Z
dc.date.available	2019-09-16T07:25:49Z
dc.date.issued	2019	es
dc.identifier.citation	Béra, Camille. De Platon à Dodecahedron : les apports des textures ligétiennes et de la musique électronique chez un groupe de Metal extrême. En: Itamar, revista de investigación musical, 2019, Número 5: 143-161	es
dc.identifier.uri	https://hdl.handle.net/10550/71503
dc.description.abstract	In this reflection, we will develop the idea that Extreme Metal, in search of the renewal of its somewhat stagnant language since the end of the 2000s, tries to appropriate, or at least adapt to its discourse, some of contemporary art music’s codes. As part of this hypothesis, we propose to illustrate, with examples chosen from the repertoire of the band Dodecahedron, the wide variety of processes implemented in a recent album (2017). This article will discuss the merger between Plato's solids, textures borrowed from composer György Ligeti, and electronic music.	en_US
dc.subject	Música	es
dc.subject	Arte	es
dc.title	De Platon à Dodecahedron : les apports des textures ligétiennes et de la musique électronique chez un groupe de Metal extrême	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::PEDAGOGÍA	es
dc.type.hasVersion	VoR	es_ES