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Théâtre musical et matiérisme : Atomtod de Giacomo Manzoni

Repositori DSpace/Manakin

dc.contributor.author	Milli, Pietro	es
dc.date.accessioned	2019-09-16T07:25:50Z
dc.date.available	2019-09-16T07:25:50Z
dc.date.issued	2019	es
dc.identifier.citation	Milli, Pietro. Théâtre musical et matiérisme : Atomtod de Giacomo Manzoni. En: Itamar, revista de investigación musical, 2019, Número 5: 187-206	es
dc.identifier.uri	https://hdl.handle.net/10550/71505
dc.description.abstract	This article deals with Atomtod (1964), Giacomo Manzoni's third stage work, which addresses the theme of atomic weapons and its political and social issues. After evoking the historical context in which it was conceived, we studied some emblematic aspects of Atomtod’s libretto, focusing on music and staging as well as its analogies with Intolleranza by Luigi Nono. Based on archival documents (sketches, press articles, an inedited correspondence), the present article specifically aims at illustrating to what extent this work refers to the composer’s materialistic poetics.	en_US
dc.subject	Música	es
dc.subject	Arte	es
dc.title	Théâtre musical et matiérisme : Atomtod de Giacomo Manzoni	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::PEDAGOGÍA	es
dc.type.hasVersion	VoR	es_ES