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Obreros de la imagen : memoria(s) de Gerda Taro

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Obreros de la imagen : memoria(s) de Gerda Taro

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dc.contributor.author Rossi, Maura es
dc.date.accessioned 2020-10-16T11:38:39Z
dc.date.available 2020-10-16T11:38:39Z
dc.date.issued 2019 es
dc.identifier.citation Rossi, Maura. Obreros de la imagen : memoria(s) de Gerda Taro. En: Kamchatka: revista de análisis cultural, 14 2019: 269-288 es
dc.identifier.uri https://hdl.handle.net/10550/75883
dc.description.abstract Among the famous names of international photojournalism who converged in Spain during the Civil War, Gerda Taro?s was only recently rediscovered after many decades of oblivion. A fundamental piece of the cooperative action which aimed to the elaboration of an iconography of the Spanish Republic and of the fight undertaken both by the trade unions and, more generally, by the Spanish people menaced by fascism, Taro?s work is a still partially unknown page of the media-related, ideological and political effort towards the constitution of an internationalist movement which was to oppose compactly the raise of nationalist totalitarianism in Europe. Through an analysis of the auto-narration sketched by Taro herself, as well as of the mitification of her death iconized by the French Communist Party and some more recent fictional works where she appears as a literary character, the main aim of this article is to reconstruct the different stages in the construction and transmission of Taro?s collective memory. The ultimate objective is to evaluate where a proper recognition for her antifascist effort has reached the contemporaneity.  es
dc.title Obreros de la imagen : memoria(s) de Gerda Taro es
dc.type journal article es_ES
dc.subject.unesco UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS es
dc.identifier.doi 10.7203/KAM.14.13875 es
dc.type.hasVersion VoR es_ES

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