NAGIOS: RODERIC FUNCIONANDO

Los victimarios en el cine documental. Una posible taxonomía

Repositori DSpace/Manakin

dc.contributor.author	Zylberman, Lior	es
dc.date.accessioned	2020-10-19T10:09:44Z
dc.date.available	2020-10-19T10:09:44Z
dc.date.issued	2020	es
dc.identifier.citation	Zylberman, Lior. Los victimarios en el cine documental. Una posible taxonomía. En: Kamchatka: revista de análisis cultural, 15 2020: 161-192	es
dc.identifier.uri	https://hdl.handle.net/10550/75913
dc.description.abstract	This paper is part of an investigation on the representation of genocides in documentary film. In this instance, we will ask about how the perpetrators are presented on the screen, having this article as an objective to expose a taxonomy of the representations of the perpetrators in the documentary cinema. For this, after presenting some possible debates on the subject, the problem will be thought suggesting forms and modalities of representation of the victimizer in the documentary cinema. Two great discursive forms will be suggested ?visual and verbal? and four modalities of representation ??Archival?, ?Evocative?, ?Declarative? and ?Participatory?? being the combination of both which will allow to analyze the diverse strategies of representation of this actor in the documentary cinema.	es
dc.title	Los victimarios en el cine documental. Una posible taxonomía	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS	es
dc.identifier.doi	10.7203/KAM.15.14114	es
dc.type.hasVersion	VoR	es_ES