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Mariano Benlliure Gil, artífice de la recuperación del patrimonio escultórico para la Cofradía California de Cartagena
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- Archivo de Arte Valenciano
- Archivo de Arte Valenciano. 2020. Número 101
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Mariano Benlliure Gil, artífice de la recuperación del patrimonio escultórico para la Cofradía California de Cartagena
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| dc.contributor.author | Zambudio Moreno, Antonio | es |
| dc.date.accessioned | 2021-02-08T09:56:43Z | |
| dc.date.available | 2021-02-08T09:56:43Z | |
| dc.date.issued | 2020 | es |
| dc.identifier.citation | Zambudio Moreno, Antonio. Mariano Benlliure Gil, artífice de la recuperación del patrimonio escultórico para la Cofradía California de Cartagena. En: Archivo de arte valenciano, 101 2020: 263-277 | es |
| dc.identifier.uri | https://hdl.handle.net/10550/77690 | |
| dc.description.abstract | After the patrimonial destruction that took place during the Civil War of 1936-1939 in the city of Cartagena, religious art and especially sacred sculpture, is greatly affected. The artistic expressions that the Passionist entities took to the streets on the days of Holy Week, disappear almost in their entirety, having to start a tremendously costly reconstruction process in order to alleviate the losses suffered. The Cofradía California commissioned the renovation of its sculptural patrimony heritage, which came to replace the wealth of the works of Salzillo, to the Valencian artist Mariano Benlliure Gil. All this process is the one studied in this article, keeping in mind the different bibliographical sources on this topic, as well as the documentation found in the archive of the Brotherhood itself for an effective analysis of the cause and the insertion of an artistic language that responded to the postulates proclaimed by the society of that t | es |
| dc.subject | 0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707989 Mariano Benlliure Gil | es |
| dc.subject | artífice de la recuperación del patrimonio escultórico para la Cofradía California de Cartagena Zambudio Moreno | es |
| dc.subject | Antonio After the patrimonial destruction that took place during the Civil War of 1936-1939 in the city of Cartagena | es |
| dc.subject | religious art and especially sacred sculpture | es |
| dc.subject | is greatly affected. The artistic expressions that the Passionist entities took to the streets on the days of Holy Week | es |
| dc.subject | disappear almost in their entirety | es |
| dc.subject | having to start a tremendously costly reconstruction process in order to alleviate the losses suffered. The Cofradía California commissioned the renovation of its sculptural patrimony heritage | es |
| dc.subject | which came to replace the wealth of the works of Salzillo | es |
| dc.subject | to the Valencian artist Mariano Benlliure Gil. All this process is the one studied in this article | es |
| dc.subject | keeping in mind the different bibliographical sources on this topic | es |
| dc.subject | as well as the documentation found in the archive of the Brotherhood itself for an effective analysis of the cause and the insertion of an artistic language that responded to the postulates proclaimed by the society of that t 263 277 | es |
| dc.title | Mariano Benlliure Gil, artífice de la recuperación del patrimonio escultórico para la Cofradía California de Cartagena | es |
| dc.type | journal article | es_ES |
| dc.subject.unesco | UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS | es |
| dc.identifier.doi | es | |
| dc.type.hasVersion | VoR | es_ES |
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