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Theatrum Mundi and Site in Four Television Shakespeare Films

Repositori DSpace/Manakin

dc.contributor.author	Huertas Martín, Víctor
dc.date.accessioned	2021-05-04T08:30:56Z
dc.date.available	2021-05-04T08:30:56Z
dc.date.issued	2019
dc.identifier.citation	Huertas Martín, Víctor 2019 Theatrum Mundi and Site in Four Television Shakespeare Films Cahiers Elisabethains 99 1 76 88
dc.identifier.uri	https://hdl.handle.net/10550/79038
dc.description.abstract	This article explores metatheatricality and site specificity in four Shakespeare television films produced by Illuminations Media: Gregory Doran's Macbeth (2001), Hamlet (2009) and Julius Caesar (2012), and Rupert Goold's Macbeth (2010). Drawing on metatheatrical theory applied to the screen and recent criticism on site-specific theatre, I explore the films as self-referential and self-conscious works embedded in environments that oppose the artifice of drama to the 'reality' of normative television film. Shakespeare's aesthetic metaphor, presented in self-contained theatrical worlds, does not depict autonomous fictions but is disrupted by outside 'reality'.
dc.language.iso	eng
dc.relation.ispartof	Cahiers Elisabethains, 2019, vol. 99, num. 1, p. 76-88
dc.subject	Cinematografia i literatura
dc.title	Theatrum Mundi and Site in Four Television Shakespeare Films
dc.type	journal article	es_ES
dc.date.updated	2021-05-04T08:30:57Z
dc.identifier.doi	10.1177/0184767819837548
dc.identifier.idgrec	146656
dc.rights.accessRights	open access	es_ES