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Traumatic Redemption Chronotope as Theoretical Model to Study Serial Shakespeares

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Traumatic Redemption Chronotope as Theoretical Model to Study Serial Shakespeares

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dc.contributor.author Huertas Martín, Víctor
dc.date.accessioned 2021-05-04T10:30:19Z
dc.date.available 2021-05-04T10:30:19Z
dc.date.issued 2019
dc.identifier.citation Huertas Martín, Víctor 2019 Traumatic Redemption Chronotope as Theoretical Model to Study Serial Shakespeares Reden. Revista Española de Estudios Norteamericanos 1 27 48
dc.identifier.uri https://hdl.handle.net/10550/79068
dc.description.abstract This article proposes a methodology to study Shakespearean intertexts in contemporary complex TV series. While the presence of Shakespeare's inter-texts in contemporary complex TV seems ubiquitous, a sustained and theoretically focused academic study of the impact of Shakespeare in these works has not been produced. Reviewers and social media users' comments have proposed readings of the series pointing at the importance of the series' redemptive qualities. Taking Hannah Wolfe Eisner's "Into the Middle of Things: Traumatic Redemption and the Politics of Form" as basis, I am presenting a theoretical model to study serial Shakespeares, with which I am referring to a limited corpus of American complex TV series appropriating Shakespeare's texts, as narratives embedded in a cultural politics of trauma and redemption. Additionally, it shows that such series potentially work as guidelines to study the overall impact of traumatic redemption in other contemporary adaptations of Shakespearean plays.
dc.language.iso eng
dc.relation.ispartof Reden. Revista Española de Estudios Norteamericanos, 2019, vol. 1, p. 27-48
dc.subject Literatura Història i crítica Teoria, etc.
dc.title Traumatic Redemption Chronotope as Theoretical Model to Study Serial Shakespeares
dc.type journal article es_ES
dc.date.updated 2021-05-04T10:30:20Z
dc.identifier.idgrec 146655
dc.rights.accessRights open access es_ES

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