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A Family Meal as Fiction

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A Family Meal as Fiction

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dc.contributor.author Corbí, Josep E.
dc.date.accessioned 2021-05-27T09:40:23Z
dc.date.available 2021-05-27T09:40:23Z
dc.date.issued 2020
dc.identifier.citation Corbí, Josep E. 2020 A Family Meal as Fiction Organon F 27 1 82 105
dc.identifier.uri https://hdl.handle.net/10550/79471
dc.description.abstract Stacie Friend's theory of fiction departs from those ap- proaches that seek to identify the necessary and sufficient conditions for a work to count as fiction. She argues that this goal cannot really be achieved; instead, she appeals to the notion of genre to distinguish between fiction and nonfiction. This notion is significantly more flex- ible, since it invites us to identify standard¿but not necessary¿and counter-standard features of works of fiction in light of our classifi- catory practices. More specifically, Friend argues that the genre of fiction has the genre of nonfiction¿and only that genre¿as its con- trast class. I will refer to the particular way in which Friend elabo- rates this claim as the contrast view. I have, nevertheless, the impres- sion that this view unnecessarily narrows down the array of perspec- tives and attitudes from which we can approach works of fiction. I will thus develop a line of reasoning to the effect that the contrast view should rather be construed as picking out a particular way of relating to works of fiction that lies at the end of a continuum defined by different degrees of reflectivity and estrangement. This implies that the contrast view is false as a general claim about how we expe- rience works of fiction, even though this view may appropriately de- pict a specific way of approaching such works.
dc.language.iso eng
dc.relation.ispartof Organon F, 2020, vol. 27, num. 1, p. 82-105
dc.subject Família
dc.title A Family Meal as Fiction
dc.type journal article es_ES
dc.date.updated 2021-05-27T09:40:24Z
dc.identifier.doi 10.31577/orgf.2020.27104
dc.identifier.idgrec 134618
dc.rights.accessRights open access es_ES

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