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Mapping Art History in the Digital Era

Repositori DSpace/Manakin

dc.contributor.author	Sebastián Lozano, Jorge
dc.date.accessioned	2021-09-06T11:18:57Z
dc.date.available	2021-09-06T11:18:57Z
dc.date.issued	2021
dc.identifier.citation	Sebastián Lozano, Jorge 2021 Mapping Art History in the Digital Era Art Bulletin 103 3 6 16
dc.identifier.uri	https://hdl.handle.net/10550/80245
dc.description.abstract	Just as for the rest of the humanities, a roadmap for the discipline of art history in the past few decades would show a tangle of unexpected turns. Art history has undergone the linguistic turn, the material turn, the pictorial turn, the global turn, and, of course, the spatial turn, to name a few; what is more, there is the discipline's recent convergence with digital technologies. Already in 2004, while reviewing two recent contributions to the field, Larry Silver could assert in The Art Bulletin that "art is created as much in place as in time, making some self-aware form of artistic geography essential to the future of the discipline."1 Much more recently, Paul Jaskot hailed spatial analysis as "the most productive point of intersection [of art history] with digital methods."
dc.language.iso	eng
dc.relation.ispartof	Art Bulletin, 2021, vol. 103, num. 3, p. 6-16
dc.subject	Art Història
dc.title	Mapping Art History in the Digital Era
dc.type	journal article	es_ES
dc.date.updated	2021-09-06T11:18:57Z
dc.identifier.doi	10.1080/00043079.2021.1882819
dc.identifier.idgrec	147740
dc.rights.accessRights	open access	es_ES