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¡Más chutes no! La heroína, entre arma de la democracia y vehículo heroico.

Repositori DSpace/Manakin

dc.contributor.author	Orihuela, Antonio	es
dc.date.accessioned	2022-03-03T08:19:08Z
dc.date.available	2022-03-03T08:19:08Z
dc.date.issued	2020	es
dc.identifier.citation	Orihuela, Antonio. ¡Más chutes no! La heroína, entre arma de la democracia y vehículo heroico.. En: Kamchatka: revista de análisis cultural, 16 2020: 155-167	es
dc.identifier.uri	https://hdl.handle.net/10550/81782
dc.description.abstract	The Spanish counterculture flourished in the parenthesis of permissiveness that the transitional process, from oppressive Francoist structures to democracy, expedited social and cultural experiments. From 1978 onwards, the State will react to all this socio-cultural flowering of an autonomous sign, fostering a climate of truculence, sensationalism, fear, paranoia, delinquency, stigmatisation of poverty and drugs which, surprisingly orchestrated from the media, were also assumed as identity traits by the marginalized groups themselves.	es
dc.title	¡Más chutes no! La heroína, entre arma de la democracia y vehículo heroico.	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS	es
dc.identifier.doi	10.7203/KAM.16.16194	es
dc.type.hasVersion	VoR	es_ES