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1968 And Rural Japan as A Site of Struggle. Approaches to rural landscapes in the history of Japanese documentary film

Repositori DSpace/Manakin

dc.contributor.author	Centeno Martín, Marcos
dc.date.accessioned	2022-03-11T08:22:21Z
dc.date.available	2022-03-11T08:22:21Z
dc.date.issued	2021
dc.identifier.citation	Centeno Martín, Marcos 2021 1968 And Rural Japan as A Site of Struggle. Approaches to rural landscapes in the history of Japanese documentary film Sixties, The 14 2 121 132
dc.identifier.uri	https://hdl.handle.net/10550/81911
dc.description.abstract	In the twentieth century, Japan produced an extraordinary documentary film heritage around the rural world which has not received sufficient attention. This article identifies three different approaches to the rural in Japanese film history: first, the wartime interest in place as providing an 'authentic essence' of a national identity. Second, the post-war representation of the rural in public relations films (PR eiga), mainly interested in geography. And third, the release of Ogawa's Summer in Sanrizuka in 1968 which brought a new dimension to a countryside transformed into both a battlefield and an icon of the political protest of the era.
dc.language.iso	eng
dc.relation.ispartof	Sixties, The, 2021, vol. 14, num. 2, p. 121-132
dc.subject	cinema documental
dc.title	1968 And Rural Japan as A Site of Struggle. Approaches to rural landscapes in the history of Japanese documentary film
dc.type	journal article	es_ES
dc.date.updated	2022-03-11T08:22:21Z
dc.identifier.doi	10.1080/17541328.2021.1996790
dc.identifier.idgrec	150574
dc.rights.accessRights	open access	es_ES