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dc.contributor.author | Sánchez-Biosca, Vicente | |
dc.date.accessioned | 2013-09-07T07:32:19Z | |
dc.date.available | 2013-09-07T07:32:19Z | |
dc.date.issued | 2012 | |
dc.identifier.citation | Sánchez Biosca, Vicente, "Die finstere Seite des Herzens, Zur Migration von Bildern der religiösen Profanation" en Revisiting 20th Century Wars: new readings of modern armed conflicts in literature and image media, Rom Burns et al. eds., Stuttgart : Ibidem-Verlag, 2012, ISBN 978-3-8382-0377-5, pp. 151-178. | es_ES |
dc.identifier.uri | http://hdl.handle.net/10550/29923 | |
dc.description.abstract | This article deals with the series of re-appripriation and re-editing of twe single images produced by the Republican side during the Spanish Civil War: the one representing the execution of the statue of Christ at the Hill of Angels at the end of July-beginning of August 1936, and the one depicting the desecration of the mumies of nuns taken in Barcelona the same month. Both in photography and in film support were the object of propaganda purposes from the Francoist side and even they appeared in Nazi and Italian Fascist footage. The chapter traces its transformation until the present. | es_ES |
dc.language.iso | de | es_ES |
dc.subject | Documentary | es_ES |
dc.subject | Propaganda | es_ES |
dc.subject | Re-appropriation | es_ES |
dc.subject | Cine e historia | es_ES |
dc.subject | Fascist cinema | es_ES |
dc.title | Die finstere Seite des Herzens, Zur Migration von Bildern der religiösen Profanation | es_ES |
dc.type | book part | es_ES |
dc.subject.unesco | UNESCO::HISTORIA | es_ES |