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Los jeroglíficos de Lorenzo Lotto para el coro de Santa Maria Maggiore de Bérgamo

Repositori DSpace/Manakin

dc.contributor.author	Schiavon, Andrea	es
dc.date.accessioned	2018-02-05T10:58:13Z
dc.date.available	2018-02-05T10:58:13Z
dc.date.issued	2017	es
dc.identifier.citation	Schiavon, Andrea. Los jeroglíficos de Lorenzo Lotto para el coro de Santa Maria Maggiore de Bérgamo. En: Imago: revista de emblemática y cultura visual, 9 2017: 123-149	es
dc.identifier.uri	http://hdl.handle.net/10550/64516
dc.description.abstract	The drawings that Lorenzo Lotto made for the marquetry of the choir of Santa Maria Maggiore of Bergamo, executed between 1524 and 1532, highlight the special interest in hieroglyphs in Italian art. This article concentrates on the four examples of inlaid work that decorate the exterior facade of the choir, which were crafted based on the drawings of Lotto. The marquetry is analyzed by identifying its textual and visual sources, proposing as well an iconographical interpretation by considering the visual discourse that derives from the work as a whole. KEYWORDS: Lotto; Hieroglyphics; Choir; Marquetry; Bible.	es
dc.title	Los jeroglíficos de Lorenzo Lotto para el coro de Santa Maria Maggiore de Bérgamo	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::HISTORIA	es
dc.identifier.doi	10.7203/imago.9.9090	es
dc.type.hasVersion	VoR	es_ES