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Comment le silence d’André Souris nous parle. A propos de l’article d’André Souris, « Le Silence et la Musique »

Repositori DSpace/Manakin

dc.contributor.author	Sieger, Simon	es
dc.date.accessioned	2018-07-20T10:52:02Z
dc.date.available	2018-07-20T10:52:02Z
dc.date.issued	2018	es
dc.identifier.citation	Sieger, Simon. Comment le silence d’André Souris nous parle. A propos de l’article d’André Souris, « Le Silence et la Musique ». En: Itamar, revista de investigación musical, 2011 - 2018, Número 4: 459-472	es
dc.identifier.uri	http://hdl.handle.net/10550/67180
dc.description.abstract	Following Christine Esclapez’ research of another musicology, we take the study of the notion of silence of André Souris as an opportunity to think about the specificity of musicological expression. The links between music, musicologist and their audience create a movement of speech, which in turn defines a space of expression. The distance between theoretical speech and its practical application, or the distance between the speaker and the auditor are observable signs of the passing into speech of music, considered as an entity which can’t perish, awaiting an extension. André Souris’ choice is nothing more, and nothing less, than an attempt to bring a conterminous world into existence, creating a new territory on the frontiers between what is said and what is listened to.	en_US
dc.subject	Música	es
dc.subject	Arte	es
dc.title	Comment le silence d’André Souris nous parle. A propos de l’article d’André Souris, « Le Silence et la Musique »	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::PEDAGOGÍA	es
dc.type.hasVersion	VoR	es_ES