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Las pinturas alegórico-mitológicas del palacio Palmerola de Barcelona y su relación con Cesare Ripa

Repositori DSpace/Manakin

dc.contributor.author	Rey Recio, María Jesús	es
dc.date.accessioned	2019-03-07T07:41:57Z
dc.date.available	2019-03-07T07:41:57Z
dc.date.issued	2018	es
dc.identifier.citation	Rey Recio, María Jesús. Las pinturas alegórico-mitológicas del palacio Palmerola de Barcelona y su relación con Cesare Ripa. En: Imago: revista de emblemática y cultura visual, 10 2018: 175-198	es
dc.identifier.uri	http://hdl.handle.net/10550/69397
dc.description.abstract	This study unveils the meaning of the allegorical-mythological murals, shaped like false sculptures, which frame the scenes of a historical-familial nature decorating the salon of the Palmerola Palace in Barcelona. They were painted at the end of the XVIIIth century by Pedro Pablo Montaña, whose primary literary source was the Iconologyby Cesare Ripa. Based on this text, the painter builds the visual language, whose fidelity to the source is a paradigmatic example of utilization of this source. My research also results in the correction of previous misinterpretations, thus offering a richer and more comprehensive view of the pictorial ensemble. KEYWORDS: Palmerola Palace; Pedro Pablo Montaña; XVIIIth century; Cesare Ripa; Iconography.	es
dc.title	Las pinturas alegórico-mitológicas del palacio Palmerola de Barcelona y su relación con Cesare Ripa	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::HISTORIA	es
dc.identifier.doi	10.7203/imago.10.10776	es
dc.type.hasVersion	VoR	es_ES