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El mito quinqui. Memoria y represión de las culturas juveniles en la transición postfranquista

Repositori DSpace/Manakin

dc.contributor.author	Labrador Méndez, Germán	es
dc.date.accessioned	2022-03-03T08:19:06Z
dc.date.available	2022-03-03T08:19:06Z
dc.date.issued	2020	es
dc.identifier.citation	Labrador Méndez, Germán. El mito quinqui. Memoria y represión de las culturas juveniles en la transición postfranquista. En: Kamchatka: revista de análisis cultural, 16 2020: 11-53	es
dc.identifier.uri	https://hdl.handle.net/10550/81776
dc.description.abstract	This work starts from an initial image ?the quinqui room as a historical room? to propose the study of the quinquillero phenomenon in a complex dialectic between mythology, historicity and memory. I confront the current return of the quinqui in relation to the emergencies of the supposed historical quinquis in the archive of the seventies. That this is a problematic confrontation. My work is organized in two stages. First, it is about deconstructing ?the quinqui myth?, analyzing its characteristics and reasons both in its current construction, as a quinqui return, and in its historical emergence. And then it comes to thinking about what this myth prevents us from seeing, what political and historical reasons it serves, and what experiences and subjects it makes invisible.	es
dc.title	El mito quinqui. Memoria y represión de las culturas juveniles en la transición postfranquista	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS	es
dc.identifier.doi	10.7203/KAM.16.19340	es
dc.type.hasVersion	VoR	es_ES